The most popular politician in America at the moment, according to all the public opinion polls, is President Barack Obama. He’s not all that popular, only recently barely nudging past a 50 percent approval rating for the first time in several years, but at this discontented moment in history that’s plenty good enough for first place.
Our only explanation for this thoroughly awful president’s modest bare majority of approval, even as supermajorities of the public describe the country as “on the wrong track,” is that no one’s been paying much attention to his still thoroughly awful presidency lately and instead are focused on the thorough awfulness of both of his most likely successors. We also note that nothing and nobody are very popular these days, though, so anything over 50 percent is something.
Nowadays the most popular television shows are watched by only fractions of the nationwide audience that used to tune into mediocracies as “M*A*S*H” and “All in the Family,” few people over the age of 30 can name any of a currently popular pop music star’s hit songs, the latest hit movie is probably some comic book super-hero flick that you probably won’t bother to see, even such literary types as ourselves couldn’t tell you what’s currently on the best-seller lists, and the rest of the entire culture is similarly disdained. Government and business and organized religion are widely despised, and both of the most likely successors to our thoroughly awful president seem to suffer any consequences for their disdain of the First Amendment, which most of the under-30 set already agrees has got to go, and even the longstanding and generally acceptable social arrangement regarding men using the men’s room and women using the women’s room is by now widely disdained enough that neither of the thoroughly awful likely successors to the thoroughly awful president who proposed this thoroughly awful change is willing to take a forthright stand against it.
This is partly because of the largely beneficial diversification of the marketplace, of course, and all that creative destruction our capitalist sensibilities usually appreciate. There are now a gazillion channels on television and the internet and whatever new technology we’re not yet aware of, so it’s inevitable that even the best shows won’t get the same chunk of the audience that even the worst shows used to get when there were only three channels. The internet allows us to listen endlessly the great music of the past, as it does to anyone no matter how less refined their tastes, so it’s hard to imagine anyone achieving that Elvis Presley or The Beatles ubiquity that made even the over-30 set aware them. Although there are fewer movie theaters in most towns than there used to be there are far more screens, and there are no more “Gone With the Winds” and “Casablancas” and “Godfathers” with lines that everyone knows by heart. There are all sorts of notions afoot about how government and business and organized religion should be run, and by now everyone has a problem with somebody’s use of the First Amendment, and even that tiny sliver of the public that’s upset with current social arrangement regarding bathrooms has a hit show compared to what the rest of the country has divided itself into.
We also believe that the thorough awfulness of the overwhelming majority of it all also plays a part. Once upon a time in the glorious history of American music there were singular artists in a wide range of styles who truly earned this widespread popularity against challenging competition, but these days only the most addled of the under-30 set insist that any of is any good. There are a few good shows on television these day, in most cases better than the hit shows of the past, but these days there’s only niche mark for such fare. There are some very good movies, and without comic book super-heroes, but they can’t become hits like very good movies used to do. The last best-seller we were aware of a self-described feminist Sado-Masochistic porn novel, which of course was made into a well-publicized movie, and we’re slightly relieved that despite all that publicity a vast majority of the country never read the book or watched the movie. Government and business and organized religion have all their problems lately, too, but the current unpopularity of the First Amendment and that longstanding and generally agreeable social arrangement regarding restrooms can only be explained by how very discontented our country has become.
Politics is the only marketplace in our culture where consumers are still faced with only two choices, although we’re still holding to some faint hope that the culture’s penchant for creative destruction might change that final longstanding and once generally-agreeable arrangement, so it’s not surprising that the widely diffused ratings of mostly thoroughly awful shows have turned up two such thoroughly awful final options.
— Bud Norman