Although we are not fond of the comedy of Seth Rogen, we were nonetheless dismayed to hear that his latest motion picture is being pulled from theatrical release because of terroristic threats by the North Korean government. When the tinpot dictator of a third world basket case can determine the choices of the American movie-going public it is a blow to free speech, and we are fond free speech. When the likes of Kim Jong Un can even halt a screening of “Team America: World Police,” the kind of movie that free speech was invented for, we are doubly outraged.
“Team America: World Police” isn’t a movie we recommend to everyone, as it is only suited to certain unrefined tastes. The polite word for its style of humor is Rabelaisian, but such a highfalutin term isn’t quite appropriate to such a deliberately foul-mouthed and dirty-minded puppet show. Those whose minds are already in the gutter and whose stomachs are strong enough for such fare will find it hilarious, though, and notice it has more shrewd points to make than the next ten indie flicks that will play your local art house put together. First released in 2004, the movie spoofs the Bushian patriotic fervor of America in the immediate aftermath of the Sept. 11, 2001, terror attacks, but that’s mostly rendered with the sort affectionate understanding that the great Preston Sturges brought to his classic satires “Hail the Conquering the Hero” and “Miracle of Morgan’s” during the similarly proud days of World War II. By far the harshest barbs are aimed at Islamist terrorists, the late North Korean dictator Kim Jong-Il, and their equally anti-American sympathizers in Hollywood. “Team America: World Police” is such a convincingly scathing indictment of Hollywood’s limousine liberalism that it’s a wonder Hollywood ever released it, but at the time Hollywood didn’t have the ready excuse of not wanting to offend any of the various Kim Jongs of North Korea.
Since the original release of “Team America: World Police” the North Koreans have been cast as the villains in several movies, including that awful remake of “Red Dawn” which somehow retained all the stupid improbabilities and bad acting of the original but somehow omitted all the popcorn-chomping patriotic fun, probably for lack of politically correct and liability-proof options. Hollywood stopped doing commie villains as soon as the Cold War ended, and even wound up re-making “The Manchurian Candidate” with some vaguely Koch Brothers-ish corporation as the bad guys plotting world domination, and was more likely to release an adoring bio-pic of Che Guevara. Neo-Nazis still make an occasional appearance in the movies, but that beloved cliche has mostly played out from overuse. Christians and Republicans and especially Christian Republicans can always been employed to stop a high school dance or say unpleasant things about a cross-dresser or complicate someone’s abortion or provide some other villainous plot twist, but that’s only good for the women’s market, and is insufficiently violent for the action-adventure fare that brings in the really big box office, and it probably doesn’t translate well to the foreign market.
Islamist terrorists are widely unpopular domestically, a sentiment that probably prevails in a profitable segment of those foreign markets as well, but of course they’re terrorists and might prove more expensively dangerous to offend than whatever’s left of the Neo-Nazis or the Koch Brothers-ish corporations or Christians or Republicans or even Christian Republicans. From the still-in-hiding Salman Rushdie to that besieged Danish magazine that published the Mohammad cartoons to the murdered Theo Van Gogh, criticizing the Islamists has never proved a profitable enterprise. The same ribald fellows who did “Team America: World Police” also do the foul-mouthed and dirty-minded and frequently brilliant “South Park” cartoon, but when they dared to depict Mohammad in solidarity the Comedy Central network did not air the offend segment. The same network’s Stephen Colbert recently received the effusive thanks of the Democratic party for his long service to its cause, which they will cite as proof of how very daring they are, but they are by no means alone in Hollywood in their preference for a safer sort of daring.
Kim Jong Un has apparently noticed this tendency, if that reports that it’s actually a big publicity push for some otherwise unsaleable Seth Rogen flick can be discounted, and now he can enjoy the same immunity from Hollywood villainy as his friends in Iran and Cuba. The studio has already suffered from a cyber-attack that has revealed e-mails and other internal documents confirming that everyone in Hollywood is as self-absorbed and shallow as you’d always thought, and apparently believes that the North Koreans can make good on its more deadly threats. A few theaters decided to show “Team America: World Police” as a protest against the Sony Corporation’s capitulation to the terrorist threat, but the studio decided to pull even that worthier production from the theaters as well. Any other tinpot dictators of third world basket-cases seeking some say in which pictures get green-lighted can expect the same response, and it will likely have an inhibiting effect on the American cinema. At this rate, the next James Bond will have the intrepid secret agent saving the high school dance that one of those creepy Christian Republicans was trying to shut down.
— Bud Norman